Or maybe you are like me, up and down as the spirit moves me. When I'm concentrating, I'm usually sitting down, running my ATG gun like a madwoman, adding foam dots wherever I can, ruffling ribbon to hide inconvenient fold marks (although the ribbon iron is only a couple steps away), layering chipboard elements and painting edges . . . But before I get too layered and glued down, I have to stand up for perspective. I don't actually cross to the other side of the room, like I used to when painting my large works that I tacked up on the studio walls. But I still like to see how the parts work as a whole. Here is my current workspace in mufti as I start preparation for another class I'll teach in May.
Oh, and I also stand when the music simply allows no more sedate wriggling in the seat and demands a full-out dance routine. Right now it's my Putumayo collection featuring reggae, Afro pop, Latin and other world beats. It often defies sitting -- as the kids who are one of its target audiences already know.
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